Stephen Sachs (born 14 August 1959) is an award-winning stage director and playwright. He is currently the Co-Artistic Director of The Fountain Theatre in Los Angeles, which he co-founded in 1990.[1]
Contents |
Sachs was born in San Francisco and grew up in Los Angeles. He graduated from Los Angeles City College Theatre Academy in 1980 and worked as an actor at many theaters in Los Angeles, including the Mark Taper Forum. He made his debut as a professional stage director in 1987 with his own adaptation of The Baron in the Trees at the Ensemble Studio Theatre in Los Angeles, to rave reviews.[2]
Sachs co-founded the Fountain Theatre in 1990 with Deborah Lawlor. For twenty years, Sachs has guided the Fountain Theatre as Co-Artistic Director and has directed and written many of their acclaimed productions. Over two decades, The Fountain Theatre has won 200 awards for theatre excellence and has been honored by the Los Angeles City Council for "enhancing the cultural life of the City of Los Angeles." It is the only intimate theatre in Los Angeles to have won the Ovation Award (L.A.'s version of the Tony Award) for "Best Production of a Play" four times. For the 2009 Ovation Awards, the Fountain has again been nominated for "Best Production of a Play", and for the newly added category of "Best Season".[3]
Arthur Miller personally gave Sachs exclusive permission to direct his rarely seen After the Fall (3 L.A. Ovation Awards including Best Production and Best Director). Named “Critics’ Choice” (LA Times) and ran for 7 sold-out months.
He has won many theater awards for directing such plays as the Los Angeles premiere of Fugard’s The Road to Mecca, After the Fall, the West Coast premiere of String of Pearls, Sweet Nothing in my Ear (Fountain Theatre, Victory Gardens Theatre in Chicago, Mixed Blood Theatre in Minneapolis), the LA premiere of Steven Dietz’s Lonely Planet (starring Philip Anglim), The Seagull (starring Salome Jens, Philip Baker Hall and Bud Cort), the celebrated 20th Anniversary production of The Boys in the Band, the west coast premiere of Rommulus Linney’s Unchanging Love, and many others.
In February 2007 Sachs directed the world premiere of his own new adaptation of Strindberg’s Miss Julie at the Fountain in Los Angeles. The production was named “Critics’ Choice” in the Los Angeles Times and ran for 4 sold-out months.
Regional theatre directing credits include: Primary Stages (New York), Zephyr Theatre (San Francisco), Santa Barbara Theatre, the Tony-winning Victory Gardens Theatre (Chicago), Mixed Blood Theatre (Minneapolis), New Jersey Repertory, Florida Stage, Assembly Rooms (Edinburgh, Scotland), Canadian Stage Company (Toronto) and the Vancouver Playhouse (Vancouver).
Sachs has the honor of being chosen by playwright Athol Fugard as one of the few directors in the United States to premiere his new plays. The collaboration between Fugard and Sachs goes back nearly a decade when Sachs directed the Los Angeles premiere of Fugard’s The Road to Mecca in 2000.
In 2004, Mr. Sachs had the privilege of being the first person, apart from the playwright, selected to direct the world premiere of a new play by Athol Fugard.[4] Sachs directed the world premiere of Fugard’s Exits and Entrances in Los Angeles (3 LA Ovation Awards including Best World Premiere of a New Play and Best Director, 5 LA Drama Critics Circle Awards including Best Production and Best Director).[5] He directed acclaimed regional productions of the play around the country. And he directed the Off-Broadway production at Primary Stages in New York in 2007(New York Outer Critics’ Circle Award nomination for Outstanding New Off-Broadway Play, selected as "Ten Best" Productions of 2006/2007 by New York Theatre Writers).[6] He also directed the UK premiere at the 2007 International Edinburgh Festival in Scotland.
In 2008, Fugard gave Sachs the exclusive United States rights to his play, Victory. [7]Sachs directed the United States premiere in Los Angeles and the production was named “Critic’s Choice” and “Best of 2008” in the Los Angeles Times.[8]
Fugard chose Sachs to direct the West Coast premiere of his new play, Coming Home (“Critic’s Choice” Los Angeles Times) in 2009. The production has been nominated for a 2009 Ovation Award for "Best Production of a Play". Fugard has given Sachs his newest play, The Train Driver, which Sachs will direct as the U.S. premiere in the coming 2010 season.
Sachs was instrumental in launching and supporting the Deaf West Theatre Company at the Fountain Theatre in 1991. The company won the Tony Award for its acclaimed ASL-version of Big River on Broadway in 2003. His play about deafness and cochlear implants, Sweet Nothing in My Ear, was recently made into a television movie starring Jeff Daniels and Marlee Matlin, and presented on the Hallmark Hall of Fame on April 20, 2008. The teleplay and adaptation are by Mr. Sachs himself, and the film was directed by Joseph Sargent.[9]
Sachs' play about deafness and language, Open Window, had its world premiere at the Pasadena Playhouse in 2005, winning the California Governor’s Media Access Award for Theatre Excellence.[10]
In 2006, the J. Paul Getty Museum selected Sachs to direct the inaugural production to launch the opening of their new 450-seat outdoor classical theatre at the Getty Villa in Malibu. For The Getty, Sachs directed the critically acclaimed sold-out world premiere of a new translation of Euripides’ Hippolytos starring Linda Purl.[11]
He directed the world premiere of his own stage adaptation of Stephen Mitchell’s version of Gilgamesh at Theatre@Boston Court in Pasadena in 2007, and directed his own adaptation Miss Julie:Freedom Summer at Canadian Stage Company in Toronto and at the Vancouver Playhouse in 2008/2009.[12]
Also in 2009, Mr. Sachs directed the Los Angeles premiere of Irish playwright Conor McPherson’s Tony-nominated play, Shining City, to rave reviews. "One of the best productions the west coast theater has ever seen." - BroadwayWorld [13]
Sachs has won every major theatre award in Los Angeles and is the only director in Los Angeles to have won the Ovation Award (L.A.’s version of the Tony Award) for Best Director of a Play twice.[14]
as Director
as Playwright
For his work as director and playwright, Sachs has been featured in The New York Times, The Los Angeles Times, the San Francisco Chronicle, the Chicago Tribune, American Theatre Magazine, Los Angeles Magazine, Back Stage, Variety, Hollywood Reporter, L.A. Stage Magazine, The Times, The Wall Street Journal, and National Public Radio.